Pure Heroine: Lorde album review

by Morgan Buchanan, Editor

In a world of generic, predictable pop music created by artists such as Taylor Swift and Justin Bieber, a refreshing sound comes from New Zealand native Lorde. She’s topped the charts at number one with her single “Royals,” a song featured on her debut album Pure Heroine, released September 30th.

Ella Yelchin-O’Connor, more commonly known by her stage name Lorde, is no cookie-cutter pop princess. This 16-year-old is breaking into the music industry, and for a good reason.

Previous to the full length album Pure Heroine, Lorde released The Love Club EP, where “Royals” first appeared. Despite her young age, Lorde has found her sound, which is present on both of the albums.

Her dark, urban-pop sound is a unique one on the market. A fanbase is shared among Lorde, Lana Del Rey, Marina and the Diamonds, and Ellie Goulding, all of whom are women with an innovative pop sound.

Pure Heroine is a gem. The album captures teenage life without sugar coating anything. There are hints of cynicism and teen angst at its finest.

“Maybe the Internet raised us, or maybe people are jerks,” is a bold line featured in “A World Alone,” the final track of the album.

Another intriguing track is “Team,” a song featuring smooth vocals atop hip hop beats. In the song Lorde proclaims, “I’m kind of over getting told to throw my hands up in the air,” mocking current pop and hip hop hits.

Among the catchier tunes on this album are “White Teeth Teens,” “Royals,” and “Tennis Courts,” while “Ribs,” “Buzzcut Season,” and “Glory And Gore,” have an eerier sound.

All around Pure Heroine is a phenomenal album that deserves recognition. I have a feeling this isn’t the last we’ll see from Lorde. Though she isn’t royal, she’s pretty close.